Saturday, June 27, 2009

And The Beat Goes on

My first drum restoration is underway. The bass drum shell is in good shape, considering its age. It is Made In Japan vintage from the sixties or early seventies. The wrap, though faded, was staying on. On the inside, one rib needed a bit of regluing. The lugs and tension rods were not pitted, and so cleaned up nicely with rubbing compound.










The inside mounting plate had rusted, but in Tim's shop I cleaned it up with his grinder/brush. It was nice to get back into the shop for a change.
Bought some claws on Ebay for $11. Andrew brought them. The one remaining drum hoop was pretty beat and after watching Ebay sales for awhile, I opted for a pair made in Ecuador. They used three coats of preservative, followed by four coats of car paint. $12 each hoop.
The new hoops are more of a royal blue, not blue sparkle. But they dress up the drum nicely. (Will put on the other one when I get a drum head.)

Sunday, June 14, 2009

Make Me Thy Fuel

In a country church down a gravel road off Highway 75, it was time for a music special. I didn’t have a song; I had a poem. I stood at the front and recited “Flame of God” by Amy Carmichael of Dohnavur Fellowship.

From prayer that asks that I may be

Sheltered from winds that beat on Thee,

From fearing when I should aspire,

From faltering when I should climb higher

From silken self, O Captain, free

Thy soldier who would follow Thee.

From subtle love of softening things,

From easy choices, weakenings,

(Not thus are spirits fortified,

Not this way went the Crucified)

From all that dims Thy Calvary

O Lamb of God, deliver me.

Give me the love that leads the way,

The faith that nothing can dismay

The hope no disappointments tire,

The passion that will burn like fire;

Let me not sink to be a clod;

Make me Thy fuel, Flame of God.

A couple of decades and a few thousand miles away, I am carried back to that time and those influences upon me. On Monday, I arrived for work only to learn that old-timer, John Munday, had died. Soon I had in my hands, Kay Landers’ biography of John, God’s Fuel.

The obituary written, the final story told. John’s threescore plus 10 (in this case plus 20) are gone. Who could ever count his legacy among orphans for whom he became a surrogate dad?

John’s death. A second event this month that helped me recall mission nudgings from my younger years.

You don’t need to do much to leave a legacy.

Just die.

Every day.

Just be God’s fuel.

Penned in Pain and in His Power

Though the woman in the bed had no choice but to be served, “servant of all” was still her watchword. One kind of service still open to Amy, when pain did not make it impossible, was writing.


The Servant as Writer, in "A Chance to Die, The Life and Legacy of Amy Carmichael"


Punch is needed in newsletters, for they seek to update donors, solicit specific prayer, and, we hope, help givers keep on giving because they know they have invested in work that is bearing spiritual fruit.


How is this done when a delicate health condition forces on you, confinement to a limited schedule of activities? How to write with spark and pzazz of human limits, solitary suffering, and seemingly unanswered prayers.





You begin, if you happen to be married, by telling of the work your spouse does. That's how Becky handled it in a letter I reviewed recently for her and her husband, Germán.


German does this; German directs that project; German has plenty on his plate of responsibilities.


Becky mentions her involvement with the ladies of the church German pastors, saying she will coordinate a women's retreat. Otherwise, the work and social hubbub that is reality for many of us who work together is to her, a foreign land. She is not seen stopping by for a few minutes to see German. Or working in the same complex. Her health does not allow her to be here.

Her presence however, was powerful in my office the morning I reviewed her letter. I sign off with the words that Becky wrote:



Still Waters Artist


Jesus,

When pain is a storm that my boat unmoors,

You turn my eye to still waters’ shores.

With artistic wisdom uniquely yours

You reweave the peace that my soul restores,




touching and teaching me through my tears,

lovingly lifting me from my fears

up toward the clearness of Son-lit spheres

where yours is the Music that my heart hears;


painting me portraits of divine Grace,

setting each detail into its place,

sculpting eternity’s Time and Space,

which some day I’ll share with You face to face.


The rage of the storm seems more faint and blurred

When all through your artwork your voice is heard.

I watch and I listen, my senses stirred

By a poem composed of the Perfect Word.


As power dances deftly at your command

And kindles the strength that I need to stand,

You draw me a map of your Father’s Land,

Where some day I’ll walk with You, hand in hand.



No, storms that unmoor can’t compete with You.

You hold me through all that the storms might do;

You steady my hope, once more prove it’s true

That You love me far more than I ever knew!


-Becky Rhon ©

(used with permission of the author)

photos: Ben





Thursday, May 28, 2009

This Old Man, He Played


And he played and he played.


Continuing to play music, he celebrated his 90th birthday earlier this month.


I returned to my old haunts and dug up an interview done in the mid 1980s during a song fest in Quito:


Please click here to listen to the 7-minute interview.


Ken: I’ve been a fan of yours for 20 years. I remember the music during Vietnam and the civil rights struggle. Do you feel that music – that 'protest music' as it was called – made any impact on policies and decisions of governments? Or was it a way to vent frustrations for those who found themselves opposed to policies?


Pete: I don’t think I could say for sure. If I didn’t think that music did something I wouldn’t still be singing. I love to sing but I would rather be home with my family o n the beautiful Hudson River where I’m fortunate to live.


But I do believe songs can help pull this world together. I think of music in the broadest sense – lullabies and love songs, and various sorts of hymns and serious songs, blues and laments.

It’s hard to say though exactly what effect they have. Of course one can go into history and find people saying they have an effect. Plato is supposed to have said way back . . . he’s the old Greek philosopher … that it would be very dangerous for the wrong kind of music to be used in the republic. It could destroy the republic.


Here’s my favorite - not original with Pete. He set it to music 50 years ago though.


A video version


Text is here.


To everything (turn, turn, turn)
There is a season (turn, turn, turn)
And a time for every purpose under heaven.

A time to be born, a time to die
A time to plant, a time to reap
A time to kill, a time to heal
A time to laugh, a time to weep.

A time to build up, a time to break down
A time to dance, a time to mourn
A time to cast away stones
A time to gather stones together.

A time of war, a time of peace
A time of love, a time of hate
A time you may embrace
A time to refrain from embracing.


Turn, Turn, Turn.


Turned 90 on May 3. Pete Seeger.




Wednesday, May 27, 2009

Everybody at the Gate

Everybody, it seems, wants to be a gatekeeper of the information flow in our modern world of communications.


Gatekeepers. The term has been long used to describe those who determine what we read, hear and view in the media.


In Venezuela a small earthquake injured no one, but ignited a war of words between President Hugo Chavez and Globovision. Whose story was it? Charge and countercharge were flung, becoming aftershocks that eclipsed the quake itself.


Enemies at the gate: Globovision and a Latin American head of state vying for control.


Meanwhile, Irish student Shane Fitzgerald pushed on the info gate only to watch it swing wide open. His fabricated news content clocked the speed that info travels and revealed fact-checking failures in the news industry. With news of the death of French composer Maurice Jarre, Fitzgerald crafted a Jarre quote and submitted it to the online, crowd-sourced Wikipedia.


Wikipedia editors wisely removed the quote, as it lacked attribution. When Fitzgerald placed it a few more times, the hoax quote was picked up and used by mainstream media outlets around the world.


Everyman (and everywoman) at the gate.


And the traditional gatekeepers – the mainstream media? Asleep at the gate. A seemingly innocuous incident, but packing a powerful punch: image stands taller than the reality.


Another weakness of the mainstream media – its disconnect with its audiences – is chronicled in Frank Rich’s recent editorial. Rich also defends however, the traditional media as any society’s best champion against tyranny. Then he delivers a sobering reality: we get the information we’re willing to pay for.


It is far easier to mail “the sky is falling” messages in e-mail or spread them virally in newer ways. (These can and should be verified before forwarding by checking snopes.com or other reputable sites.)


The sky falling and the sky's the limit. Gatekeepers galore and infinite information. And all free! (And so much is worth exactly that.)


When critical content is needed, we need to know what price we'll pay to know what is true.


Saturday, May 16, 2009

Bouquets: Beauty, Bargain, Blessing


Flowers don't cost much here. Kathy is in the right place, loving the economy AND the activity of making bouquets. She prepared these two for a special lunch today.

12 gerberas for $3.00

12 liatrice for 80 cents

1 bunch of mini carnations for $1.25

1 bunch of baby's breath for $1.25

12 hypericum for $1.25

Can't beat that!!

http://aboxofcurtains.blogspot.com